people play doors for the jumpscares. i play it for the hotel. every entity is a piece of a story the game flatly refuses to explain out loud. rush and ambush arent just obstacles, theyre presences, and the way the lights die right before rush arrives tells you more about this place than any cutscene ever could. seek tearing through the halls, the figure listening in the library, the guiding light that clearly knows far more than it lets on. its environmental storytelling at a level most full priced games never reach. mechanically its just open the numbered door and hide in the closet, but the atmosphere turns a plain hallway into pure dread. five stars, and im not even done reading the walls.